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#181

Just a quick sidenote :slight_smile: and i’m pretty impressed, this thread has now passed by 34,000 views which i think is a massive amount :smiley: but it’s great thread hehe

/ Max

#182

Wowzaaaaaaaa. That could just be a Photo of a real Puppet. A friggin mazing! You ROCK!
LemonNado

#183

Hi Rick,

Do you have any specifics about which day you will be at siggraph?

#184

Your work is the monthly special on the Discovery channel over here…we are not worthy. :smiley: Pitty they didnt include the 3D…damn.

#185

Awesome - What else can I say :+1: :+1: :+1: :+1:

#186

WOW, thats incredible work man… thanks for the step by step tut!

#187

Hey Monster Maker, I am huge fan of all your work both digital and fx.

I had a question about the hands you did. Did you pose them in another package or model them as the are now in zbrush. I am pretty new to zbrush and also wondered how you did your final comp with all the different objects you created. I need to do some digging in the manual about that but I thought maybe you could shed some light on how YOU work. Thanks I look forward to your next creation.
chud

#188

MM,

I just stumbled accross this thread and am floored by your presence here. Your work is a great inspiration to me.

I am excited to learn that you will be at SIGGRAPH. I will be attending also. I was also wondering when you will be around during the week as I have always longed to be able to meet you at the IMATS,but never able to go.

If you happen to walk the floor, I and the rest of my group (Interbots)http://www.etc.cmu.edu/projects/ibi/
are presenting in the E-Tech area. We have an animatronic robot that we are developing interactive experiences for.
My field of study is in creature effects and I hope to meet you…
Thanks again for your great work.

-Andrew Hosmer
http://www.andrewhosmer.com

#189

Hi Rick,

been working on the sequel to An American Werewolf, roughly 10 years ago. What you´ve stated in your interview about todays industry - I found that true back then allready. For me, it´s really difficult to press and push my

own limits without the opportunities to spend the time and money that
come with a highprofile (film)job. A good gig, where people will try to
understand why they should wait…

We don´t have many of these opportunities here in Germany, one may easily end up doing stuff nobody wants to pay or nobody wants to sign:-) Still, you made me aware that it´s not about being paid for something but about deoing it because one wants to to it. Had almost forgotten that. I´ll kick my butt harder now, instead of blaming anyone else. Promised. If you like, help people like myself by showing more of your wip-work. Not just the finished stuff you feel you *must* come up with to proove you´re *worthy* being called MonsterMaker. Forget about that, please. Also show us the stuff that didn´t work out, as that´ll help in not doing the same mistake twice. In my opinion, this shows the great artist. Knowing when stuff will work, when not and also why not... Cheers tim P.S: Again, no need to sign it, no need to be perfect. Just do it:-)
#190

Monstermaker: it would be awesome if you took your Hyde there and made an “impossible sequel” (since Lon Chaney probably couldn’t make it to the shoots ;)).
If it was completely transparent that CG was used it would be ideal. I think that that is one area that CG hasn’t quite done to great extent. I would also like to see Abbott and Costello come back and have another round with Dracula and the guys. Don’t know if there would be a huge audience for it these days though. You would have to give your Hyde that birthmark too. :lol:

#191

… how the hell you modeling in Zbrush with such low polygons !!! … my models are very very high polygonal - and looking on facetes in max7 … :angry: …

great worx man !
:+1: