…landscape on the reflection! 
great design, very original looking suit and proportions great work.
Hi All.
Thanks for the kind words.
I’m glad you enjoyed the suit design.
I guess I’m doing something right then :lol:
Today I post up Norman…
He’s an old familiar for you all that know my work.
He was originally created during the ZBrush 3 Beta testing.
Cheers
Cesar Dacol Jr.
Aka, The Voodoo Monkey
Awesome. Any chance this has Norman Rockwell influence? I love his stuff.
Fantastic Work Man! 
very cool works dude !
i think the last old guy could be a little bit more pink or red in his skin color .
keep them coming
yeah i rememer him! grate to see him finaly textured!
cheers!
The guy in Aqua World looks familiar 
It was great getting a little face time with you at Sigg, it honestly made the trip worth it for me. Watching you, Scott, and Magdalena do your live demos was both inspiring and humbling. I can’t wait till I get that comfortable with anatomy. I got some great tid-bits just loitering at that booth. You ushered me, kicking and screaming, to my ZBrush “ah-ha!” moment, and for that I’m eternally grateful. I still remember the first email I wrote you, where I was basically dissing z-spheres before the class even began, and wanted to use max as much as possible…in a ZBrush class. Now I love z-spheres. I want to put them in a pipe and smoke them like crack…or mix them in with my garden salad or something.
Listen to this guy, folks. And remember, foundation is king.
-Dustin Brown
Mater…is possible to have, in a new gnomonology tutorial, a realistic human head video? It would be nice…or something like Norman
really cool textures. Great sculpt and paint!
Hi Cesar,
lol :)Awsome works the alien planet pik rocks.I especially like ya alien model clever thinking :):).The facial texturing with the glass on helmet.gezzzz that looks awsome.
The old man is really good.Love the way its seem gravity is pulling him down…
really nice works :).
Hi All.
BrettSinclair, Yup indeed, glad you caught on to that
Piz, smeagol, gordon-v, thanks.
dustinbrown, The pleasure was all mine. It’s always fun getting to meet you all face to face. I learned lots of Siggraph this year as well.
Edan, I’ve made a note of it
Bryan Wynia, Thank you sir… love your work.
DELTATHUND3R, Thanks really glad you enjoyed them.
You guys are all so talented, everyday I drop in and get my fix.
Small plug the good people over at The Gnomon Workshop have done an artist interview with me, you can find it here.
Cheers
Cesar Dacol Jr.
Aka, The Voodoo Monkey
Great interview, Cesar. Also, congrats on the spot in Scott’s book. I just got it the other day and I’ve been pouring through it. Very exciting stuff!
-Dustin
I actually watched two of your tutorial demos at the show. I love your work and work ethics for artists to be artists and not rigging/technical masters. We just want to create art! You were great and very influential for me to get into sculpting with digital clay myself. I was exactly like you with the fact that I HATE pushing nerbs around in Maya and wanted to speed up my workflow and just be CREATIVE. I dove in last night to learn the program, play with the alpha brushes and sculpt my first monster from the zbrush demo head. I was up until 1:30AM and couldn’t stop myself. Zbrush is so addicting! You were right that it is just like clay but without all the mess.
[attach=107513]MyFirstMonster_NoColor02.jpg[/attach]
Anyway, I really wanted to ask you about something you went over in your demo. You referenced that you had some killer Alpha wrinkles and pores that you got off of the zbrush central website and you used them in your demo at Siggraph. I think you said you used some of them for the Norman model too. I have searched for over an hour for them on ZBC and can not find them anywhere. Would you be able to send me the link or what to search? I would love use them myself in my models.
Thank you so much for your time. Keep up the killer work.
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imgoing to read your interview !
Hi voodoo monkey
u r a great artist and huge inspiration for all of us
also a fantastic interview with gnomon
it’s always great to get to know some insight of great artist like u
some really treasure there…everyone should read it
take care man…looking forward to next form u
Jason
Hi All,
dustinbrown, Thanks dustin it was fun to do… the book is full of great material.
mokthemagicman, The alphas that I was talking about were the ones Rick Baker posted up. Do a search for monstermaker and it’s his father sculpt.
Glad you enjoyed the demo. I had a blast doing it.
skullmonster, hope you enjoyed it.
Hi Kupo, wow… thank you for the plug. Believe me you all inspire me everyday.
I’m thrilled if I in some small way can return the favor.
Today I give you, “Wolf Blood”.
Sculpt and textures in ZBrush.
Multiple renders combined.
Fur and compositing in Photoshop.
Cheers
Cesar Dacol Jr.
Aka, The Voodoo Monkey
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Dear Cesar:
i must to admit that I hav no idea how did you do that!!!
I can´t say when beging the zbrush and when the photoshop,. I think that looks so cool this image, it is very powerfull realistic.
Could I ask you how did you fo the hair?
thanks for all, Arturo
great work man ! very nice render and composit…!
…i read your interview and enjoyed that…infact always i try to learn from the masters and their experience…waiting for your new production tutorials…
well done!
the model is stunning!
its perfect!
5 stars