The dead surface trap is only a trap for those who are not on the highest level. The same exists in painting. Just look at how Ingres got his portaits more real that a photograph (hint: two eyes do not see the same thing). Go to Orsay and look at Canova, Thorwaldsen,…
Or read some poetry and feel the difference between Shelley’s high Romanticism and Tennysson’s weak sentimentalism…
It’s the artist, not the style.
BTW: thanks for the brush and even more for explaining how yoiu got the idea, why you needed it and how you created it. That’s a full meal with the brush as dessert!