New Wips and Zbrush Shader&Light Test[shader download on page 1] (potential nudity)

[Julian_K]

Change angle of lights a bit and export a separate front only sss as well. Try even negative sss value here. Use it as screen layer playing with levels (its crucial).
Great tutorial-like last post julian.

I may understand the symbolic meaning of these houses but I still don’t understand the shapes as a function. Its me of course.

Great thread.
Of course its a top row stuff IMO.

totally agree, that would be a good additional pass. I must admit though I intentionally try to keep my render passes to a minimum because I usually render at pretty high res and subpixel accuracy which makes for long render times and rendering bores the **** out of me. instead I try to uitilize each pass for more different purposes and effects by manipulating them in photoshop. rendering is the one thing where I still find computers painfully slow, because I’m very impatient. a fast render in my book should take no more than 3 seconds, which is still only happening in dreamland and render farms

[Julian_K]

I am fascinated by the fibers of the Bolwer (specifically the workflow;)), overall the picture is disturbingly easy but in the great tradition of Clive Barker and Algernon Blackwood how do I find. Absolutely great, small_orange_diamondsmall_orange_diamond

not sure if I understand what you mean by ‘disturbingly easy’, but feel very honored by being mentioned in one sentence with with Clive Barker

Clive Barker is the most underrated author, wrongfully too often just labeled ‘Horror’. Probably because of Hellraiser. In most of his books however, ‘Horror’ is just one of many elements and what he writes goes way beyond that. The man has an incredible and very intelligent imagination. PLus he can actually write, which is something you can’t say about someone like Dan Brown who became insanely popular.

[Julian_K]

Attachments

[EricShawn]

That monster is great! Take it from a monster maker, it’s awesome. If you had the whole body it would be even more fun.

More!

[Morgaine]

Unfortunately, English is not my native language better expression would probably “irritating”, I meant the feelings you get if you art is in the tradition of William Blake, Arnold Böcklin, Gerald Brom and H. R. Giger…

Monster Time
My first thought about your monster …the of stories of H. P. Lovecraft “The Whisperer in Darkness” or “The Lurking Fear” small_orange_diamondsmall_orange_diamond great…

and thank you for cloth2.zip I will try it

[michalis]

The “monster” is EXCELLENT julian.
Sculpture flaws here. A manifest of its own, you can’t speak about it.
(reading Wittgenstein these days, once again)

[Julian_K]

@Eric - Thanks a lot, I take it and I take it with pride
@Morgaine - Again thanks, got you now. I like the references you mention which are all more from the cultural side of horror
@Michalis - It’s ages ago that I read Wittgenstein and you remind me it might actually a good idea to read his work again.

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[fidget]

yes, i like this much more. the mouth area was bothering me in the last update. but this fixed it. nice sculpt!

[ilusiondigital]

very inspiring. creepy, and also very original.

keep rocking mate

victor

[Geert_Etcher_Melis]

Thanks for sharing the render breakdown . Halloween sculpt is very creepy and dark! (Would be a cool mask though)

[Julian_K]

Attachments

[Morgaine]

The expression of two images is different
I can’t decide which I like better small_orange_diamondsmall_orange_diamondsmall_orange_diamondsmall_orange_diamond

[Julian_K]

Here’s a quick vid of some test animation I did today. Sort of a cute Halloween thing
I loaded a base character I had, looking pretty much like at the beginning of the vid and from there on the whole thing took about 40 minutes till it was ready to be rendered out and exported.

I plan on trying out a bit more with the animation features. Actually I’m surprised that not many have played around with it yet. At least I didn’t notice any posts with Zbrush Animation except for one cherub_rock did right after the ZB4 launch. It’s quite some fun to play with it and it’s also a good way to test the deformation of your mesh.

<object height=“385” width=“480”>

<embed src=“http://www.youtube.com/v/COj6hqP5yVs?fs=1&hl=en_US&color1=0x3a3a3a&color2=0x999999” type=“application/x-shockwave-flash” allowscriptaccess=“always” allowfullscreen=“true” height=“385” width=“480”></object>

http://www.youtube.com/watch?v=COj6hqP5yVs

[GrizzlyJake]

Youve got some awesome work here, very cool. Yeah, i also want to check out the animation tools. I have watched a few videos and even exported out a test with a flat white layer to make a mask in After Effects. Worked very nice. I want to explore that some more also…when i have time…? (that never happens) Very cool though, I will share also if i get time to explore.

jake “Grizzlyjake” angell

[Muddpitt]

Where exactly is the animation feature in ZBRUSH 4?

[Julian_K]

Grizzly - thanks a lot. love your thread. yeah time… tell me about it

Muddpitt - take a look here http://www.pixologic.com/docs/index.php/Timeline

[Beneto]

I love that tryptich guy. Especially on that last illustration. Nice touch with the brushstrokes flow; It gives some sort of creepy elegance to that freaky character. Nicely done

[Julian_K]

Thanks Beneto. I know and really like your work, although I do not agree on your quote about coffee in the morning

[Julian_K]

Here’s another “Animorph” test just for the fun of it

youtube does unfortunately do funky things to color and contrast.

<object height=“385” width=“480”>

<embed src=“http://www.youtube.com/v/fZ2Io4t-gfc?fs=1&hl=en_US&color1=0x3a3a3a&color2=0x999999” type=“application/x-shockwave-flash” allowscriptaccess=“always” allowfullscreen=“true” height=“385” width=“480”></object>

http://www.youtube.com/watch?v=fZ2Io4t-gfc

[Morgaine]

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9]><xml> <o:shapelayout v:ext=“edit”> <o:idmap v:ext=“edit” data=“1”/> </o:shapelayout></xml><![endif]–> great animation julian …small_orange_diamondsmall_orange_diamondsmall_orange_diamondsmall_orange_diamond Great

 <o>I see </o>I have a very long way to go . . .<o></o>