Wow, man! This is one of the best natural history sculpts I’ve seen, if you aren’t working in a major studio already you will soon. I also notice you got a 5 thumbs up from Marc Boulay, what a compliment! Marc is the best there is in this field, so well done!
My main reason for starting out in 3D, and Z Brush in particular, was to create lifelike animals which I could pose and light as I pleased to design compositions for my oil paintings. Eventually I want to create a whole menagerie for this purpose, and your Greater Kudu is exactly what I’m trying to achieve. Thank you so much for your generosity in providing the other pics and that fantastic tutorial, I’m always amazed at the spirit of kindness and support shown by 3D artists - very different from the ‘real’ art world!
I noticed the posts about opening the mouth, etc, and I have to agree. The Kudu tends to primarily gallop in short bursts, and usually when startled, thus the expression is nearly always one of stress and exertion, whereas your head is more that of a Kudu walking placidly. They also exhibit a less ‘horse-like’ gait, usually bounding more like a Gazzelle (though a good deal larger). The head could be tilted higher, with the hindquarters a little further off the ground.
But this is merely pose, and I only mention it as this is one of my very favourite animals of all time. There is nothing in Africa more elegant and graceful than a male Kudu, even when standing still. Your sculpt is faultless, the details superb and spot-on. The horns are perfect (you are right, Kudu are Antelopes, so have horns rather than ‘antlers’), this is usually where people fall over. Your eye for observation is wonderful, I can’t wait to see more of your work!
Thank you for such a beautifully observed and executed piece, Quadart, a very well deserved top row - Five thumbs from me also! More please! And soon!
