Cedric Seaut's Little Box

Jester · June 3, 2011, 12:01am

Amazing…inspiring…do you mind assemble a small behind the scene stuff? It’d be really nice…

prahlad333 · June 3, 2011, 3:52am

small_orange_diamondsmall_orange_diamondsmall_orange_diamondsmall_orange_diamondsmall_orange_diamondAmazing detailing and cool rendering.small_orange_diamondsmall_orange_diamondsmall_orange_diamondsmall_orange_diamondsmall_orange_diamond

skdzines · June 8, 2011, 12:50pm

Could you explain how you achieve the gold look. Are you using a gold material in zbrush and baking the material to a texture or something else? What is your process?

Awesome work by the way!

digitalmind · June 9, 2011, 11:24pm

Amazing work!! Really dig how the textures are precise on the lowpolysmall_orange_diamondsmall_orange_diamondsmall_orange_diamondsmall_orange_diamond

ced66 · June 11, 2011, 2:11am

hey
Thank you all for the wonderful comments

actually for the textures i used Joseph Drust’s technic
http://www.pixologic.com/zclassroom/homeroom/

i baked my high res texture on my lowres one with a Zbrush matcap (gold).
We can get some quite nice result

Thank you all !

Ced

Frederic · June 11, 2011, 7:37pm

Cedric,
Bravo. Exceptional texturing work.
I am working on a game character for the battle of Leuthen set in the 1750s.

One of the uniforms that I am working on in Zbrush is very similar to your wool coat.

I am having a hardtime getting the colour and the texture right.

Could you please give me a few pointers about your workflow for

a) the French blue woolen coat and the red woolen collar and

b) the excellent canvas material and texture for the crossbelts?

Thanks and Regards
Fred

dkent · June 19, 2011, 7:25am

Really nice work love the style. 5 stars!!

skdzines · June 19, 2011, 9:02pm

Thanks for the reply Ced! I looked at the tutorial you mentioned for the matcap, however, I have a question. How do you get it to work with Z4? It looks like this tutorial was done with Z3. The process is slightly different now for assigning the texture to the image plane or PolyMesh3d. Adjusting the displacement intensity always turns the texture map on and therefore you can’t see the different matcaps being applied to the mesh until you turn of the texture and/or displacement maps. Can you explain the difference in the process now to get it to behave like it does in the tutorial?

Thanks!

Saif-Ullah · June 20, 2011, 1:47am

very nice work

Regards

Artfan · July 10, 2011, 4:23am

Fantastic work!

hitesh · January 3, 2012, 2:47am

luv your compositing

ced66 · January 23, 2012, 10:44am

Hey

It’s been a while, quite busy these days but still have some time to play around with the beast !
Special character for you Jaime

Everything was done in Z, Concept VS Retopo VS Polishing VS ColorConcept
textures in Mud and renders in Marmoset (Low Mesh, real Time)
(deeply inspired of District 9 ;))

For the background, it’s a power supplier… his goal is walk around to provide Energy for people who needs (cars, objects, etc.)

Thanks

Attachments

091181 · January 23, 2012, 10:52am

Damn, the Power Supplier is awesome…
Good to see new works from you Cedric.

eblondin · January 23, 2012, 11:10am

This is insane that it was all done in ZB!

Can you post some quick tut images/videos on how you did some of the pieces??

Perhaps post some of the brushes/workflows you used?

Incredible!

truedeja · January 23, 2012, 11:11am

holy ****! awesome man.

Silo · January 23, 2012, 11:25am

man thats extremely excellent !! i just cant take my eyes out of him…

asecbrush · January 23, 2012, 11:26am

OMG … That’s amazing!! Top Row if you ask me … small_orange_diamond

gwainbarek · January 23, 2012, 11:29am

love it!!

top design!
top hard surface sculpting!
top row!

davidness · January 23, 2012, 11:40am

woah this awesome!! Inspiring!

xexex · January 23, 2012, 11:44am

AWESOME!
BEAUTIFUL!
I LOVE IT!
it is a mixture of evangelion and other themes!

TOP RAW!