ZBrushCentral

Artist in Action: Scott Eaton (human anatomy training, part 1)

PARENT-MAIN CHILD-ZBrush Tutorials Forum
#21

Quite difficult to follow, but what else can you expect? Overall a good overview of the process, and I’ll have to keep up with the next installments.

#22

Really impressive and very much appreciated. Looking forward to the next one now!

#23

Fall from the sky…

Will help so much

Thanks a lot Scott :+1: :+1:

#24

Truly magnificent!!! :+1: :+1:

#25

This is some much needed info! Thank you very much for doing this. I’ll be following along very closely.

#26

Awesome, i was waiting for this article for a long time :).
I saw some month ago on your website that you were working on that.

Thanks a lot for sharing your experience :+1:

#27

Thanks Scott.

Love your style and accuracy. Great work. :+1:

#28

I can’t thank you enough for this, it is really helping me improve!

#29

Thanx for such a nice tuts…waiting for more

#30

Awesome anatomy knowledge. I love the style of your work. Thanks for the tutorials.

#31

Scott,
Thanks so much for taking the time to put together these lessons! :+1: However, it leaves me wanting so much more. I have been modeling a female character for my book. I have some anatomy books and lots of close ups of the various small muscle features, but there in lies the problems. In all of my photographic reference materials most muscles are not visible because of the softness of female tissue (unless your working on a body builder :laughing: ). The exception is the neck, hands, and feet which show more tendons and blood veins under different poses. The other place which shows up underlying detail is when the figure has her arms pointed skyward. In that case you see all the muscular of the shoulder, arm pit, ribs, and possibly abs. The trick is to keep the overall softness of the female form. I would be more than a little interested in seeing your approach to this type of subject, as well as modeling light weight cloth such as silk and linen.
Gary

#32

thanks pixologic and thanks to scott, great work and a pleasure to view. the action in artis series continues to make me a better artist, and translates into my real world sculpture as well. supurb.

#33

Wow this is awesome! I’m so glad Artist In Action is back and better than ever. No one sculpts man ass better than Mr. Eaton. :lol:

Anyway, looking forward to the next part.

#34

This was amazing! I love learning and being inspired from such talented artist!! Always a treat! Always the best quality! Thank you so much Scott! and Thank you zbrushcentral and pixologic! :+1: for always coming through!

#35

Inspiring stuff…

#36

Thank you for the great tuts Scott.

#37

I known as only one word b

#38

A big thanks for this enlightment :idea: very nice tutorial… hope to find the time to do the first assignment!

#39

thanks everybody for positive comments. I hope the tutorial gives people a start in the right direction and becomes useful reference. It is nice to give a little back to the community since I have been impressed by so many works on this forum over the years, and learned quite a few techniques here as well.

The next installment is going to be figure sculpture from life and will be working with the female figure, so Hyper1, that might answer some of your questions. The anatomy becomes more subtle and proportions more important. More on that coming soon…

-scott

ps.
Scott [Spencer], I was in Florence about six years ago. Great city, amazing history, especially for the sculpturally inclined. Rome, of course, is tops too.

#40

Thanks for the great tut Scott. I used to sculpt differently until I saw your way. Alot more organic and intuitive.

Cant wait to go to your talks in the Tate.