Here's also zootopia speedies I did few months ago, about 2 hours each I think. all concept art/designs belongs to Disney their respective owners, cory loftis and nick orsi.

Hey guys,this is my first post in ZBrush Central. These work have a story.... After the end of the world, the world has returned to calm. Some of the people who lost their loved ones in this disaster began a new life, and Lucy and John were one of the families in this disaster. They still lived together, with love and kindness to cover each other. Lucy has long been a daunting zombie, but the grandfather still guarded her and never betrayed. Perhaps, the old lady `s consciousness is in slowly recovery. Perhaps, grandfather will go with the grandmother after taking the photo. Who knows? It was an old picture that was found in the hills of the mountains in my travel adventure after many years… Modeling in ZBrush ,hair by Xgen, textures in Substance Painter and Mari.rendering in Arnold.I hope you guys like it .

as promised some pics of the latest i made. the low poly i make in around 10 minutes with zmodeller brush. almost all with the qmesh function and inset. then mirror x, puv, dynamic subdiv and apply the dephtmap from greeble plugin with surface>noise. I then apply the dynamic subdiv and do bpr to geo. the model is mostly more then 8 milj polys then. (here it's 5 milj) decimated model then Keyshot rendering with the bridge. What's nice of this workflow is I can do all this in around half an hour per model, with a whole map of greeblemaps outputted from the plug in. hope this is a good explanation, my English is, eh, well.

Hi Erik I did not know this photographer, I really like what he does. Thank you for your comment! Hi Glenn I will remake an insect. Thank you for your comment ! New test always with the technique of Glenn Patterson. https://www.youtube.com/user/gmp2012

Ain't no rest for the wicked! Haha GIF process thing below! I'll record the sculpting/rendering process for the next one, I promise! ^^ -Sudhan

Hi everyone, today I would like to share with you some great news! After 5 years working in the US, I'm very excited to announce that my business partner Mike Moran and myself are starting a Medical Animation company – Newt Studios! And as a Hello gift from the nascent Newt please enjoy the Virtual Reality video of my latest artwork "Hepatitis C Virus"! https://goo.gl/A9BLVr Best experience will be achieved when using any VR gear such as Google Сardboard, Samsung Gear VR, etc. A couple of fragments from the VR animation. Wish us luck! We are excited for the journey ahead! And of course enjoy the still images from the video Modeling, Texturing: ZBrush; Scene: 3DMax, Vray; Post: After Effects.

Here is the second Ladybug that I modeled in Zbrush and that I am publishing on Turbosquid. This one is suitable for extreme close-ups. The first one I did was originally for a car commercial for Cadillac and was only suitable to be seen from far. I improved that first version a bit adding fur and published it no Turbosquid a few years ago. Then I did another Ladybug (a yellow one that was standing up) from scratch for a Youtube video paid by Marvel to promote the movie Antman, it was called Little Antman. I then started from that model to make the most realistic ladybug (red this time) that I could to sell on Turbosquid. Since there are already many ladybugs on TS I wanted to make a very realistic and detailed one suitable for macro close-ups. I bought and learned to use Ornatrix with that model and loved it. I can’t wait to make some fur animals now! So here is the model. That version is not rigged yet. I am planning to make a rigged and an animated version soon. https://www.turbosquid.com/FullPreview/Index.cfm/ID/1186265?referral=Strob Zbrush, Max, V- Ray, Ornatrix

Hi all, I got permission to share a sculpture I did recently for Siggraph that we're going to be using to show off our new software Atom View. Here's the teaser: 226823807 It's a take on the classic battle of Medusa vs Perseus with more of a hardcore/Heavy Metal style. It also gave me a chance to try out the new ZBrush 4R8 and I was pretty blown away by how powerful the application has become. I actually don't think it would have been possible to do the sculpture without ZBrush just because of how large the scene became (100+ million polygons), but it ended up being pretty effortless. I could have actually crammed in a lot more details but my time was fairly limited on this. Everything in the teaser was captured in real-time inside of Atom View. Here's some stills below also taken from Atom View that show off a bit of the interface. I'll be able to share more details about the application leading up to Siggraph, but basically, it allows you to get true offline render quality in 3d in real-time (including VR). Seeing the full 100 million polygon sculpture with GI lighting in VR is super exciting and I can't wait for ZBrush users to get their hands on it when we go into closed beta soon after Siggraph. If you have any questions feel free to ask Some Zbrush shots: