No, the standard Keyshot works. Check it out: All white HDR Environment. White BG & Floor (NO REFLECTIONS) White Diffuse Material on entire Model. Adjust Settings Gamma down. I use 0.7 Render Max Samples @ 256 and blend final render in PS with with Color plate setting blend mode to Multiply. Adj % opacity as you see fit. And By Color Plate, I mean the final rendered image you made in KS.

Here is some walkthrouth: The body was modeled in Zbrush and 3Ds max. I made the longe hair with fibermesh and exported the guides to use in Maya with Yeti. Maps painted in Mari. And finally rendered in Arnold for Maya. This is the raw render without the passes I used for the final comp.

Hey guys, I’m stoked to share this project that I have been working on for the last few months. My influence for Mia came from back in the day when I used to play Warhammer with my Dark Elf army! I'd also like to share with you my modeling showreel for 2015. I have worked in the New Zealand Video Games and Visual Effects industries for the past 6 years and I have just moved to London in seach of work. Contact me here if you have a suitable role: untamed.design@gmail.com Check out my portfolio here: https://www.artstati...artist/ahunwick Software used: Maya, Zbrush, Mudbox, Vray, After Effects Enjoy!

Hello, I would like to share my work with everyone . Let me know what you guys think. Sculpting and modelling mostly done in ZBrush. Fibermesh was used for the hair and brought over to XGen for Maya

Hey there guys. I finally managed to render out this model after several months of having him around, forgotten in the darkest places of my hard drive. This model was made for a tutorial I never released so I have almost all the creation process recorded and a couple days ago I just open it up again and render it inside of Zbrush and gave him some more attention inside of Photoshop. I hope you like it. Thanks for stopping by.

i made texturing of the character using spotlight light texture projection of Zbrush. i started to the character long time ago,it is a video that i captured the process of modeling using Zspheres. Using Spheres actually helped alot to find Coincidental and unique shapes. this is the original concept i created for the character..but during the design process,i changed quite a bit.

2012 I modeled a little SPOCK bust, since I was watching the old star trek episodes back then. I was always fascinated by the actor Nimoy and - in my opinion - he was the only actor to play SPOCK as we know him. I enjoy watching other sculpts of Nimoy/Spock these days and thought to through my old model in here again as well. And maybe you all would like to join me to start a Mr. SPOCK TRIBUTE thread and we can all post our SPOCK-related models in one nice collection... just a thought. So I start this thread with my speedsculpt:

The application of 3D print technology has revolutionized the production of sculpture. The streamlined workflow from 3D model to bronze casting frees up artists and let them spend more time of designing. Here is a bronze dinosaur Tany Foundry jus completed. Dinosaur Artist: Travis Tischler Size: 32 inch long Tany Foundry combine high definition 3D print technology with bronze casting to create the bronze dino. Here is the process 3D model created by travis tischler We 3D print all the parts with high definition 3D printer. We make silicon rubber mold and wax from the model. The bronze casting faithfully represent all the details from the original 3D model. Feel free to let me know if you have technical question on how to apply 3d technology into your art creation. www.TanyFoundry.com tanyfoundry@gmail.com