-I`ve got many questions about the hair. Again, I tend to think like traditional, punching those hairs into a silicone head so I do it by hand, without plugins or scripts. It looks like would take forever to finish but you can place them faster than you think. Also, MUCH quicker than one by one with a needle. Having many variations as possible is key here. Also, single hairs black or white tend to make things pop as they contrast with the others. I paint my alpha cards on photoshop, duplicate it, boost the lightness and then copy to the alpha channel. Export them as TGA 32bits and you are ready to go. I place them inside 3ds max and constantly check rendering and going to marmoset on my pre-set lighting studio. Color, specular and shadows tend to vary in these conditions so I`d do the hair by the end of the project. If you are familiar with 3ds max, I use the bend and twist modifier to help me create directions for different hairs. I also use the layer system so I have more control for later adjustments. For the difuse of those hairs, I use just a plain gradient or the painted hairs. It`ll depend on the color and varitions/limitations I`m going for. -Regarding the skin shader and marmoset rendering, no big deal. Just playing with those values, always using real photo reference. I find myself setting the shader using only the sky light and then tweaking with the lights on. I have a gloss map, normal map, normal detail map (generic noise), translucency map, and a cavity map to help me breaking the spec. If you have any questions about the shader, let me know. Those values can vary from different scales and light conditions. -The leather jacket was also a skin shader based material. The Subdermis Scatter helps to break down the shadows a bit and also give more of the leather look to it. I`ve extracted the normals from zbrush, generated a generic noise to use as a detail normal map, painted some gloss based on the cavity extracted from zbrush. The difuse/Albedo was painted in zbrush and tweaked in photoshop. I also painted some black and white masks in zbrush to create variations on difuse and reflection. That`s it. Hope it helps you to understand a bit my process. Feel free to add or comment below. I`d love to hear your thoughts. My best, Glauco Longhi

Here is the next step. Fingers need cleaning, did some small design stuff, a couple more detail things and I think I'll be ready for low-poly. All the joints in the fingers work, after trial and error, and need cleaning, but the result should be nice.

Hey folks, Recently I had an opportunity to play with Arnold skin shader. The textures were painted with ZBrush polypaint, then I made adjustment in Photoshop to make the final textures for the Shallow, Mid and Deep scatter layers. Displacement and Bump made in Zbrush too. I had too overdrive the dispalcement and bump settings otherwise Skin Shader suppressed the details. And the result is:

ZBRUSH HELMET DESIGN with Joseph Drust ***POST UPDATE*** With the recent success of this thread, we have had requests for the project files pertaining to these lessons. We are pleased to inform you that we now provide all of the project files necessary for you to create your own mech helmet with ZBRUSH, including alphas, brushes, reference, and scan data! [/URL] Head over to ZCLASSROOM to download! This video series has been formulated to provide you with focused, and easily digestible content with one purpose in mind, to create a futuristic helmet with ZBrush. Joseph Drust will take you through each phase of the design process, including Reference, Base Meshes, Procedural Processes, Sculpting, Hard Surface Detailing, and final surface detailing. Get Started with your lessons, and prepare to be wowed! ***TOPICS 1-10 (41) HAVE BEEN ADDED TO ZCLASSROOM.*** click below to view [U]View in ZCLASSROOM

Hey everyone! This one was a Maya/Mental ray piece from couple years back, I'm just redigging into it now and am going to do a lightly detailed zbrush pass on a couple scenes. Funny seeing all the different tricks I used BEFORE I had dug into the great ZBRUSH :P full animation is here. WOO ZEEEBRUSH

Hey!! here I share you some images with the process for this piece. I hope you like it 1.References 2.Exploring Shapes 3. Cleaning mesh 4.Details - alphas 5.Panel Loops 6. Alien Sculpt 7. BPR Render Passes

[/URL] Big news! Pixologic is pleased to announce the first ever ZBrush Summit, taking the idea of our periodic User Group Meetings to a whole new level! The ZBrush Summit is a 3-day event happening Friday, August 8 through Sunday, August 10 in Los Angeles, CA and streaming LIVE around the world. Whether you are here in person or at home, experiencing the ZBrush Summit is easy. Stay connected with our live feed. No matter where you are, we'll be there! Register Now! Live and breathe ZBrush with dynamic presentations, panel discussions from a variety of industries and a sneak peek of the newest version of ZBrush with members of the Pixologic Team. Whether you are present in person or attending via the internet, the ZBrush Summit will encourage participation. Your questions can be heard via a live moderated chat window within the [U]ZBrush Summit Streaming Portal. Additionally, you can use Twitter to ask presenters questions about their respective workflows. Workflow related questions will be featured live and on camera! Attendance -- both online and in person -- is completely FREE! So mark your calendars and don't miss this opportunity to be part of the first ever ZBrush Summit! For schedules, registration information, streaming link and much more, CLICK HERE. See you there!

Hola~I am newbie on ZBrushcentral. This is my first post here and my topic is about Flamenco. The ideal come from a small Spain restaurant which my wife and I went together. We ate dinner there, and saw Flamenco performance unexpectedly. Toque(guitar),cante(song),baile(dance) ,performer interacted with audience were so impressing me. So I want to keep this joyful moment in my work. I hope you like this and join us to feel the fascination of Flamenco. Ole!