Here is the final version, with fixed feathers that looks more realistic no more shiny spot on the tail

This was a sculpt/study of my favorite musician, P.O.S (stefon Alexander), from the rap collective Doomtree. Always liked this shot of him. Tried to keep it loose and fun and capture the smile/expression instead of focusing on every pore and wrinkle.

Cartoon break! I love to make some cartoonish style work from time to time. I wanted to make one of my favorite animal : Axolotl After doing the first one pretty fast, I thought why not doing more and make a scene So here it is! https://www.youtube.com/watch?v=lQobMgQmYmA https://www.youtube.com/watch?v=ISBqD2j1uOU https://www.youtube.com/watch?v=EzypIZfsAic

Hello everyone, I wanted to share some shots I took of my latest personal project I am currently working on. I wanted to take a likeness of "Thomas Jane" who is my favourite actor that played "The Punisher". Hope you like it, any feedback is welcome. High Rez: https://www.artstation.com/echoeds More of my recent uploaded works can be seen on my new insta account: https://www.instagram.com/creationz_cgi/

Finally complete my Wild west challenge on artstation I couldn't complete it at the challenge due to work but I managed to finish it finally! Special Thanks to Mole Wang for the awesome concept art Profile: https://www.artstation.com/molewang My first time trying out Unreal Engine, which is super cool Feel Free to give feedbacks and Critiques! Hope you like it ~Cheers!

Here's Kylo Back in the day when there was no such thing as zRemesher, panel loops or booleans. I don't know how I used to cope. In the model the muzzle appears to be bigger than what you might be used to. This was because after filming a test scene with Adam, JJ reduced the size of it which is what you see in the majority film. However, the test scene made it to the final cut too and you can see the original unaltered muzzle in the interrogation between Kylo and Poe. Costume Designer was Micheal Kaplan and Glyn Dillon was the concept artist. The last two images are of a plasticine model that Glyn initially worked up and then a subsequent mirrored 3D scan of it to use as a reference for the proper sculpt. This was also when I still worked in the workshop so I was responsible for cleaning up the print and I still knew how to mould things! This may be the last thing I ever moulded I think?! The castings were vac cast urethane, then chromed and the final paint job was by the super talented Toby Hawkes.

decided cool monsters shouldnt hang out between primitive blocks but need actual environments... ended up toying around with arrays methods... IMM curves offer a bit more flexibility than straight up Array Meshes but are 3-4times as much work to set up _______________________________ methods explored: IMM curves: pros/cons: +can have really weird shapes +once set up, quickly draw different height buildings/objects -annoying to set up workflow: -make 3x3 box -use ZModeller to crease one of its edges (in the middle somewhere) -build top, mid and bottom section of house (3 polygroups, one subtool) -create IMM and activate curve mode -activate weld in brush after activating curve -go to your subtool with the box with the creased edge -click Frame "creased edges" -gently, click, dont drag, ffs dont drag!, the created curve once, depending on brush size you get a different amount of storeys/arrays (the whole crease edges, gentle click thing is just to get a straight 90°/tangential curve along which to create the building... didnt find a way to draw out correct world angles, straight line is ok but it might be the tower of pisa) Array Mesh: pros/cons:+fast to set up and modify on the fly +sliders to change parameters, no gentle clicking needed -needs post work to add roof and basement workflow: -build storey (top and bottom should be of the same polygroup) -activate and set up array mesh (repetitions would be the same value as y offset in the case of a skyscraper) -in my case, deactivate extrude -click make mesh -geometry-> modify geometry ->weld points (range 1) -add roof and basement

A project inspired by one of the concepts of Aaron Beck

Hey guys, been on here for a little while now but this is my first post! I wanted to share with you all a character I just finished based on the concept "Starchild" by Cedric Peyravernay. Hope you guys like it! Check out the full reel with breakdown and description at: www.artstation.com/artwork/lVVxRY

More images for my concept titled "To The Spawning Grounds Of The Grand Basin" The migratory challenges of the Mobulas, a genus of ray in the family Mobulidae found worldwide in tropical and warm temperate seas, as they travel to the spawning grounds of the Grand Basin; a massive Caldera surrounded by subterranean rivers, aquifers and lakes. The Mobulas can only mate once while they are young and small enough to navigate the meandering caves, often falling prey to predators. Reaching the spawning grounds is only half their journey, as they travel back out to sea, where they'll reach monumental proportions. Original concepts for a personal project. (Credit to BadKing for his ZBrush IMM Water Brushes that I used to create the water droplets / splashing water of the rays. Check them out here: https://www.badking.com.au/site/shop/organic-custom-brushes/splash-brush-set/ )

Hello Everyone wanted to share my work on Female face likeness of Mila Kunis that I had been working on from past few months after my office hour .In this project I tried to learn and keep my hands on texturing ,lighting,lookdev and xgen. I understand there are many areas lacking behind but I wanted to go through the start to end process and during this time I learnt a lot .I would like to thank Trilok singh kachhawa and ranjith kumar b for guiding me through the texturing process. Also a big thanks to Tarkan sarım for his amazing tutorials on hair and fur and Arvid schneider for rendering and lookdev tuts .And big shout to texturingXYZ for there beautiful textures and displacement maps. Work wise I used Digital Emily model as base .Hair done in Xgen and Zbrush. Texturing done in Mari. And textures I used Textures from TextruingXYZ photo_female_fullface_37 and female-face-20s-fullface-01 for Displacement and further tweaked in zbrush. Hope you guys like it. More Artwork Images and High Res image Please visit below Link. https://www.artstation.com/artwork/L25no0 https://www.linkedin.com/in/fiaz-s-3491b82b/ https://www.facebook.com/fiaz.shaikh