In this months I have been working on the portrait of Nobusuke Tagomi, from the Amazon series "The Man in the High Castle". I started his portrait as an anatomy exercise, but then I wanted to push it further. Everything was hand sculpted (Zbrush) and painted (Mari). For the basic shapes of the clothes I used Marvelous Designer. After that I've imported the mesh in Zbrush and clean and sculpt the rest. Check out my Artstation link for more images (HQ version) if you want: https://www.artstation.com/artwork/BmVy8k

Since I have access to an MRI unit and always wanted a copy of my own brain (you never know when it might come in handy....), I acquired a 3D dataset from a scan of my brain. I loaded the DICOM data set onto a proprietary workstation and segmented the brain from the surrounding tissue/skull/vessels, etc. I then loaded the file into ZBrush for a lot of cleaning up. It was shelled inside of ZBrush, then exported as an .stl. The first version was printed at 80% actual size using SLA (shapeways). The second (blue) one I printed at full size using my own 3D printer in a semi-transparent PET-G material. Below are the ZBrush screen-shots and the final printed product:

Weird stylized sci-fi thingie. Was playing around with ZModeler & radial symmetry, then this happened If you would like to spin it around there is a Marmoset viewer on my artstation. NPR is so much fun.

Come on, I'm off to work a little bit and I thought maybe I should try out the new Zbrush rendering engine (here I'm on Snapshot 3d, huge too!) and well I've been there all morning!!!!! It's great, so I put my hands in the parameters to make my presets. Here is an example. Absolutely no retouching has been done (except for the bubble), we are on Zbrush crude. What do you think of that?

Based on a concept by Maja-Lisa Kehlet ( artstation.com/majalisakehlet | instagram.com/majalisakehlet/ ) I loved how the original concept manages to make strange and stretched proportions feel so expressive and cozy instead of strange and creepy. The weird and fun shapes were a real challenge to keep loose without being totally broken and gave me a lot of opportunities to push and play while posing (with a few days working almost entirely with t-pose master) My artstation post includes a full character turntable as well www.artstation.com/artwork/rR0KgL

Hello. I am a beginner in zbrush and I am trying to model a charater in zbrush. I want to create a transtional mesh connecting Eye and the Head so no seem is visible while rendering. I am trying to get the transtional mesh as shown in this link. https://80.lv/articles/tutorial-transitional-meshes-for-real-time-faces/Ii I dont know how to contour the shape around the head mesh and eye perfectly as shown in the figure. Please help.. Thanks.

A little update on a dwarf char (WIP). Added some details to the arms, beard, added sword chair and bunch of other lil tweak's. Visit my instagram and artstation for more stuff https://www.instagram.com/roman_chistahovskiy/?hl=ru https://www.artstation.com/chistahovskiy

Hello guys! Just finished my NVIDIA Metropia 2042 challenge and this is a result. All the sculpting and posing done in Zbrush. I used the not from this world tool -> transpose Master with a Zsphere Rig. Hope you dig it and thank you for stopping by

After what feels like a lifetime of trying to find free time to work on this, I’m SUPER excited to finally be able to share Johannes Helgeson’ (https://www.artstation.com/helgesonart) and I’s first pin-up collectible, in collaboration with Level52 Studios! If everything goes well with this one, she should hopefully be the first of a bigger collection we are working on that will take the “pin-up” concept in fresh and nontraditional directions We also thought it would be interesting to potentially add a couple of additional color variants when we release her. So please, feel free to let us know which one(s) you'd like to see! We’ll share more info about when and how the collectible will be put on sale very soon on our social medias! Software used: - Zbrush was the main software used for most of the production (Blockout, final sculpt, texture painting, including tattoo projection and posing). - Topogun was used for retopology - Maya’s poly modeling for a couple of the accessories and all the UVs. - Keyshot for rendering. Original concept art: https://www.artstation.com/artwork/kWP0d Turn-around: 8S87Y54h9Rg Zbrush progress time-lapse: b8yTsl_LoV8

Update on the Devildude I think i'll wrap up the sculpting part here,it was dragged for far too long now. And more important, i've found a sponsor for printing and product this guy, thanks to all the people at Oleander Workshop ! more updates on the printing coming soon ! Thanks for watching !