Hi guys i have some Pieces i hope you like it i'm akram elfanid and i'm artist painting and drawing and artist 3d characters, i from morocco and this is my facebook : akram elfanid and this is my page : www.facebook.com/myrealmodels i remodeling this monster and i'm sorry if i do that date:2013/08 date:2013 date:2013 date:2013 date:2014 i have more just with .

[/URL] Big news! Pixologic is pleased to announce the first ever ZBrush Summit, taking the idea of our periodic User Group Meetings to a whole new level! The ZBrush Summit is a 3-day event happening Friday, August 8 through Sunday, August 10 in Los Angeles, CA and streaming LIVE around the world. Whether you are here in person or at home, experiencing the ZBrush Summit is easy. Stay connected with our live feed. No matter where you are, we'll be there! Register Now! Live and breathe ZBrush with dynamic presentations, panel discussions from a variety of industries and a sneak peek of the newest version of ZBrush with members of the Pixologic Team. Whether you are present in person or attending via the internet, the ZBrush Summit will encourage participation. Your questions can be heard via a live moderated chat window within the [U]ZBrush Summit Streaming Portal. Additionally, you can use Twitter to ask presenters questions about their respective workflows. Workflow related questions will be featured live and on camera! Attendance -- both online and in person -- is completely FREE! So mark your calendars and don't miss this opportunity to be part of the first ever ZBrush Summit! For schedules, registration information, streaming link and much more, CLICK HERE. See you there!

Yhago! Check out this: http://www.zbrushcentral.com/showthread.php?170886-MatCap-Baker!-unofficial-Information-Installation And look into the thread for the latest versions, its VERY VERY good! What this does is it takes your sculpt, its polypaint and all the stuff you have done to it and bakes the matcap into it resulting in a FAR better texture map. What that means is that it will look MUCH MUCH better and more like it does in ZBrush when you get it inworld. Some (many) matcaps look fantastic in world and this tool improves things so dramatically I need to get rid of that old tutorial and start all over again. As far as I know you are the only one who used it, and that is either the result of you being extra smart or the result of the tutorial being crap.... The below image is a before and after shot using the MatCap Baker, before is on the left and after is on the right:

Hello to you all, I just moved to London from the Czech Republic (from which I stayed the past 1 and a half year, beautiful country). So I decided to create a sketchbook for the time I am staying here, which is going to be for a long time. I am going to post my personal work and the works I will be doing for the assignments of my course: http://3dclassroom.cgmasteracademy.com/ I hope you all like Here are some busts for the class with Justin Goby Fields:

Nothing too exciting to post this time, just a bunch of heads. I decided I should bust out some quick bust practice, this being the result. I sure needed it -- on the first try it took me *ages* to nail good proportions, whereas getting the third head to look good was almost painless. 1. This one started out as a riff on the frazzetta/shiflett bros barbarian. But in the end his eyes didn't look barbaric enough, so I gave him a 1930s haircut instead. Kinda reminds me of blaskowitz from wolfenstein now. Took me about 3 hours all told. 2. Girls are always tough because the forms and plane changes are so subtle. I used photos of a model called ryonen as a guide, some resemblance is there I think. She has a really interesting face. Sculpting took the better part of a day, as I was again struggling with fitting forms together. 3. This last one is the most 'generic'. Basically it was just to check whether I've learned anything with the previous two sculpts. Turns out I might have -- it took by far the least time to do, and was practically struggle-free. Too bad he's so boring, even with an iffy attemt at a patrick bateman haircut. Finally, I'm also including two more shots of that last nude I did, direct from zbrush this time, as I felt the vray renders softened the details too much. Hey, I didn't sculpt them for nothing!

I decided that I liked how the little print of the cat looked on the big one, so I merged 2 little kittens to the top of the cat model and printed them all as one model. I also printed it in glow-in-the-dark plastic. It's not easy to get a photograph of it just from it's own glowing light, but it glows really well. It's about 5.5 inches tall, and took about 15 hours to print. I wish it printed faster, but that is still faster than I could have gotten it back from any 3D printing service I know of, so not that bad.

This is my first thread and here is one of my newest models Hope you like it suggestions and criticism are requested!!

Hi Guys, long time follower and now it's time to give a bit back to this awesome community. I'm Daniel currently undertaking the Game Artist Academy course. I will on these pages show of, and hopefully get a little critique on the way, the work produced in this course. So let's start out with some of the a bit older stuff(we are almost a year into the course now). I will upload more in the coming days...

Philidor & Abishai - Thanks for the compliments! IagoAndrew - Great work! Very cool that you took some extra time to make a lantern with your own unique design! Meathelix - Sorry for the much belated reply to your question. I am not sure if I am going to answer it correctly, and you have probably figured this out by now, but here is what I have: In the image below you can see under the "Geometry" tab that the "Smt" (Smooth) button is activated by default for "Divide". So, if you don't have chamfered/supporting edges and "Divide" with "Smt" turned on, your mesh will become very rounded at the edges, but if you deactivate "Smt" and divide you can get lots of subdivisions for sculpting resolution without losing the shape of your base mesh. When I created "Unmystified" I had given supporting/chamfered edges to all of my stone geometry so that my edges wouldn't smooth out when divided, because I used to always "Divide" with the default "Smt" turned on. Now that I know I can keep the shape of my stone in ZBrush by "Dividing" with "Smt" deactivated, I rarely ever create supporting/chamfered edges on any hard-surface asset I plan to sculpt. My process now is to use simple geometry with no edge support, then I will subdivide it 3-4 times with "smt" deactivated followed by any additional "Divisions" with "Smt" activated. This way, I can keep the shape of my objects, but still have a bit of smoothing at the edge when sculpting. Also, with Dynamesh, you are correct, you can just retopologize simple primitives and get great evenly distributed topology. The main reason I don't use this method a lot, is a like to have specific control over my UVW layout. Additionally, I like to have all of my low-poly primitive scene in 3dsMax totally blocked out before I start doing any sculpting, which I prefer to setup in 3DsMax opposed to ZBrush. This isn't for everybody, but I find it a good workflow for me. Hope this helps answer your question?