I have been cleaning up my old backup drive and I found and old concept part of a series I was doing called “lost creatures” and I decided to do another take on it and this is what I came up with. hope you guys like it! model: Dynamesh, fur: fibermesh, render: BPR, compositing: PS

Thanks ! @Johnnynapalmsc, I did nothing special. Nothing new compared to other tutorials. I give you some interesting link and a little breakdown since you ask I hope you find answers to your questions Links: http://www.zbrushcentral.com/showthread.php?92983-Rough-BPR-SSS-guide-and-shader-download http://www.zbrushcentral.com/showthread.php?164247 http://cgterminal.com/2011/10/14/zbrush-4r2-creating-lens-blur-by-ryan-kingslien/ http://maxterwip.blogspot.fr/2012/03/thark-final.html Breakdown on the rendering:

Spawn I created for Comicon 2014, unfortunately I did not finish it in time due to moving cities and all the things that comes with that.... Here are some images of the Final and some process images: Final: -------------------------------------- Hope you like it guys, cheers!

Heres my Basemesh of it sculpted from simple Dynamesh Sphere. Here I started to add some muscles. Here I added some simple wrinkles and retopologize it then. Here I added the last wrinkles and folds. Now I started to mask out every skin pattern and after I done this I invert the mask and inflate it.

Just rooting through some of my old files. This is a mock up bas relief in the rough stage. Originally this was for his '100th test century' but unfortunately the project never came off so all work stopped. Maybe one day I'll finish it off for fun. Test cut in aluminium:

Here are some Zbrush images of the terrain/cliff. The terrain started as a plane which was sculpted with the standard brush, and then detailed using a library of DEM files. The cliff was then created as a warped region of the terrain which I retopo'd and reworked with the DEM alphas as well as a bunch of stone/rock alphas. DEM is short for Digital Elevation Model, which are greyscale height maps which are available for free from the USGS. Really great for this kind of stuff! The high-frequency details that are in the final render come from color/spec/bump maps that were created in Photoshop. -Alex

Hi ! As promise here is a little breakdown. I used retopology/crease, with an extensive use of Clip brush/shadowBox for more simple pieces, and Panel loop + alpha for fine details. This workflow can be very fast when you're comfortable with it and give you really nice shapes. Enjoy

EricShawn - thanks!! haha you'r right, gonna fix that, thanks! Uber - thanks a lot man!! angusjlaw - thank you!! mogglin - thanks a lot mogglin! Jovon - hahahahaha that made my day!! thank you so much for this hahaha, take care! BhushanArekar - thank you man rodrigo.g - thanks a lot Rodrigo, i appreciate it! CGcronos - thanks a lot dude! another shots, almost done, still have to work her feet, hope you like!

worked a bit more on my eyeball and am now at version F2 woho! basicly a specular, polypainted ball with a "volcano" and a hole in that, a plain black disk in that hole, around all that a transparent highly reflective outer ball needed a head to put them in, drifted away a little all done in ZBrush apart from final composition, roughly 2mil polygons for the head (400res Dynamesh), 4mil for the eyes XD (should maybe use textures for those lol) not perfectly satisfied > on to the next!