I must have missed somthink topology? you using silo or somthink? Maybe your after somthink thats out of my understanding or knowledge. Please explain your process you mentiond markings?
No… trying to do all within ZBrush, but it seems I won’t be able to if I want to be able to rig or color the model.
- Kef
Iv riged my modle with no problem and coloured within zbrush fine. The texture will go over any geomatry thats down to having a Large enougth texture and at that point your poly could will be quite high as you wont texture untill all detail has been added.
I work 100% within zbrush and learnt how to rig in max. just make sure the edges are placed at where you want to bend and edge loops are clean. Facial animation can be more tricky from a mesh made in zbrush. I have to say though my meshes are getting more and more cleaner as I use zbrush more.
You will find most people make meshes in max, maya, xsi and so on for animation in mind. I went back and read you fist post again and you said you didnt want to animate it just pose for reference! this should be no problem and can be done all in zbrush.
Of corse no reposing can be done in zbrush as such yet apart from the pose to pose but that can only be done before making a adaptive skin.
Well, that’s my particular goal, but I’m also trying to learn, too. I’d like to learn about stuff like animation while I’m at it.
- Kef
I feel really silly now, because it took me a long time to figure out just why ZBrush has to change the surrounding polygons when you subdivide. It’s because the surrounding quads share vertices, so you can’t add a vertex to one quad (to subdivide it) without adding it to the neighboring quad. So that neighboring quad would have to become a pentagon. (And between a pentagon and triangles, the triangles are less evil.) So obviously I was mistaken to think it’s possible to partially subdivide without causing triangles 
The particular reason I’m bothered by the quad size thing and partial subdivision is that my character isn’t getting enough polygons where they’re needed and she’s getting too many in some places where they’re not needed. For example, I try to sculpt breasts and it takes a lot of subdivisions before I get enough geometry there. But if I subdivide the entire figure, I see the breasts smoothing out while the rest of the figure remains largely the same (because it already has enough detail at this stage). The hands and the feet in particular really wouldn’t need more geometry. I’m kind of aiming for a reasonably small polygon count so I can pose multiple figures in another program. And yet if I partially subdivide the chest area, I end up with triangles and probably artifacts.
I suppose I have four options:
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Sculpt the base mesh in another program so I can better distribute the geometry (and topology!). This would be a shame, since the ease of using ZSpheres attracted me to ZBrush in the first place.
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Partially subdivide at a low subdivision level and just live with the funky way those triangles subdivide.
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Partially subdivide at a high subdivision level so the triangles have minimum impact, but then I forfeit the ability to flip to a lower subdivision level. Losing lower subdivision levels isn’t very attractive to me, since I love being able to flip between the levels, all the way down to level 1, and again I’d like to be able to export low-poly versions for use in other programs.
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Just forget the whole thing and live with giving her a low-poly chest
I’m actually trying to learn how to use Blender to see if I can do #1, but it’s not coming along easily, especially since I’ve never done box modeling before (ZBrush is the first 3D program I’ve really been able to do anything in – which is why I bought it). I see the relationship between using ZSpheres and box modeling, which provides nice insight into both processes, but of course they’re still two different ways of looking at things and two different methods.
- Kef
Please examine Joe_Sieg’s (Joe Siegenthaler’s) thread “MELANIN”.
http://www.zbrushcentral.com/zbc/showthread.php?t=29749&page=1&pp=15
This is an extraordinarily adept use of ZSphere construction on the way to a Maya animation that demonstrates the hopes of all 3D practitioners: ‘Film Making’.
~S.~