1. #166
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    Default Short project with a fewtips and tricks, plus a breakdown on creating the final image






    The sculpt. Started from zspheres, blocked in the main form, and zremeshed. I have had mxed success with zremesher in the past, but in this case it did a great job and saved me a bunch of time. Nothing fancy with the sculpt - move, dam_standard, flatten, etc.



    This is how I build eyes if I don't plan on painting them in photoshop. This is a pretty sloppy example, but it looks ok in the final render. The pupil and highlight are just primitive circles. I float the highlight off the surface a bit to give the impression its sitting on a slightly bulging lens. The iris is just a polysphere with the front 2/3rds removed and the normals flipped. I also poly painted it.



    I retoped the leaves directly on the torso which created a nice random curvature, then continued sculpting. There are two versions. The antlers started off as zspheres too.



    I found this on google - its a pretty good tiling skin texture. Applied to the model via Surface after a quick pass through UV Master. The only thing I really cared about with the UVs was the seam not go through the face of the model. You should save this texture : )

  2. #167
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    I haven't actually done this before but I really liked the results. I wanted to give the impression of warm and cool lights on either side of the model, simulating sun and shadow. If you apply a standard material, you can create interesting lighting scenarios for use in photoshop. Matcaps generally look more interesting, but ignore the light color. In this case, all you want is the light, not the polypainting, so you have to turn off colorize in the polypaint menu for each subtool. This doesn't delete the polypainting, it just hides it. You need to get your polypaint render out too - I recommend getting that one before turning the polypaint off on all the subtools. If you're positive you won't want to go back to the polypainting, you can always just fill all subtools with white at once using the subtool master Fill tool. You can also easily save two versions of the same file, one with polypainting, and one without.



    The next three images are all the different materials I used for the final render and where they came from. They are all BPR renders with softer, lighter shadows (turn down the GStrength, turn up the blur). The only one you probably can't find is the custom matcap. I got it from a paid gig, and I don't know where they got it from, so I'm not going to post it online. Sorry about that. The rest of these are either included with zbrush or available from pixologic or badking.


    I use graphite a lot for rim lighting. I also used it as a mask for the light bakes from the previous image. The way to do this is to copy the image to an alpha channel. Then go to select -> load selection and pick the alpha from the channel drop down. Then click the layer alpha button at the bottom of the layers menu (gray square with white circle).


    The gold added a nice sunny warmth, as well as a slightly magical element to the skin. Had to keep it subtle though. I like to use sketch toy plastic to add cavities, and the regular toy plastic to add a tight glossy highlight. Multiply filters out the brighter values, leaving only the cracks and crevices, and Overlay has the opposite effect.


    Here's an animated GIF of each layer being added.


    These are the layers. I mostly included it so you can see the masking. Where the masks are black, the layer is transparent. Where they're white, the layer is opaque. I also used a few hue/saturation and brightness contrast modifiers. A couple notable examples are the thin edge layer, which is great for rim lighting. It's calculated by comparing the normal vector of the surface to the camera. If they are almost perpendicular to each other, the surface is white. This means the effect will show up in the middle of the model, like the edge of the nose, even though it wouldn't make sense for lighting to be there. I paint it out using masking. The other example is the yellow light. I really wanted to keep it limited to the left side of the model, so I used the mask to control where it affected the surface.


    Hope this was useful - I'll do my very best to answer questions (sorry Zrag2!!! - I'll try to get to your question this weekend!)

  3. #168
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    Thumbs up no worries!

    no worries! and no need to hurry,I figured out ways to bring-out those details myself ,just a bit curious that how 'EXACTLY' you did it that's all and once again great tut

  4. #169
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    Finally found the 'make nice render' button : )


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    That is one cool render! Gotta let me know where that button is

  6. #171
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    Nice! Thank you for the process notes. They are very helpful

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    nice work

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    Default Great!

    Great

  9. #174
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    More excellent stuff!

    You wrote:
    a render using a graphite matcap I found somewhere,
    I see that the graphite matcap is pretty valuable for your workflow (with great results).. but it looks like it would be nice for some standalone stuff as well. Any idea where you got it from?
    I didn't have much luck in my searching for it.

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    Yeah I actually tracked it down. You can find it on pixologic's main site here: http://pixologic.com/zbrush/downloadcenter/library/

    Its in the stone section, but here's a direct link: http://download.pixologic01.com/down...k_graphite.zip

    Hope this helps!

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    Very Cool tutorial Issac! Well done

    Art Blog

  12. #177
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    ioster
    Yeah I actually tracked it down. You can find it on pixologic's main site here: http://pixologic.com/zbrush/downloadcenter/library/

    Its in the stone section, but here's a direct link: http://download.pixologic01.com/down...k_graphite.zip

    Hope this helps!
    Doh! I coulda sworn I looked for it there.

    Thanx!!

  13. #178
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    I built a lot of the base shapes in 3DS Max, then used dynamesh and insert mesh with and without curve functionality.



    I used Zbrush and 3DS Max for the the high poly geometry, Zbrush for retopology, Max for UVs, Xnormal for bakes, and Quixel Suite for textures. I recorded and narrated the entire process and made a tutorial series. It is available here.

    A Vimeo preview is available here.

  14. #179
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    Default Sculpting A Fist in Zbrush - Three Part Tutorial Series

    Hi folks - I put together a three part tutorial series on sculpting a fist in zbrush. For those of you just getting going with Zbrush this might be a good resource. The reference is posted on my site, with a link in the video description. Let me know if you have any comments or questions, and feel free to share this around.

    Thanks!








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    Nice tutorials! Thanks!
    "Whoever controls the media, the images, controls the culture." - Allen Ginsberg

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