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  1. #1

    Default figure sculpture WIP

    first, thank you Zack Petroc. your sculptures in Sky Captain pushed me further into ZBrush. this is the first push into this model. there is much more work to be done and things to be figured out but the pose is set and now i just have to put in the info.

    crits welcome though i know its hard at such an early stage.

    pose_100404.jpg

  2. #2
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    Default

    Nice work. Shows some of the great abilities of Zbrush.
    Jason Belec
    Kiss Your Sister Studios... YEAUCH

    Eternal Zsphere thread : 'Origins' begins... : Liquid Maya

    Jason can be reached at Cowboy Feng's Spacebar and Grill. If you know where it is, you are indeed privileged. It's your round.

    'Obey me! I am ROOT!'

  3. #3
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    Default

    Like the pose you've got. Other than that i think it's to early to say anything.

  4. #4

    Default

    update:

    crouchingFigure_detail_1.jpg

    heres the figure:
    crouchingFigure_montage.jpg

    also, just wrote my first article for cgnetworks about the PUG meeting. will paste a link when it comes out. pretty cool to have some words out there.

    r

  5. #5
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    Cool Very...

    ...expressive!
    Like Rodin's sculptures
    Pilou
    Is beautiful that please without concept! ( Me and maybe also E Kant)
    Pilou's Galerie Pilou's Tips Tuts Page
    Cameyo's ZPlace Art Surfing Albums
    Dedicaces Perpetual Challenges

  6. #6
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    Default Looking Good

    Only crits I have...the heel-calf transitions could use some more definition (ankles too) and the neck angle is extreme. Hands are slightly on the big side...but otherwise looking great..nice anatomy and nice pose.

  7. #7

    Default

    thanks guys for the comments.

    pilou - thats an awesome compliment. i have actually been thinking about replicating rodin's gates of hell as a side project. zbrush enables such a clay like feeling that it would be really cool to play with that sort of plastic approach to the figure. only problem is that there isn't a copy of it here in LA.

    dan-burke - i hear you about the heel/calf transition. in fact the whole lower part of the leg and the foot. those are coming up. i see what you mean about the neck angle. not sure if i should just live with it or if i should make it more realistic. i am very interested in treating the figure in a "plastic" sort of way stretching some things for emphasis. we will see. thanks for the insights.

    saifk - not sure what you mean by "share". do you mean the z file? or...?

    vlad74 - thanks, man.

    thanks again guys.

    r

  8. #8
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    Talking Try...

    ...this fantastic site about The Rodin Museum
    32 vues and close up of the Hell's Gate
    Of course it's not so bad, me I can see it every days in real life if I want (but I can't see Hollywood
    Bon courage!
    Pilou
    Ps It's the home start :The best site about Rodin : 287 Item (great and big photos)
    (clic on the photos for the big format : 3 levels of zoom)

    The same in English Version :
    Is beautiful that please without concept! ( Me and maybe also E Kant)
    Pilou's Galerie Pilou's Tips Tuts Page
    Cameyo's ZPlace Art Surfing Albums
    Dedicaces Perpetual Challenges

  9. #9

    Default

    Pilou - you are awesome!! thank you for that! That is so cool! the photos are perfect. great lighting! thank you,thank you! and, uh, thanks for the english version. my french is worse than my italian.

    jantim - i was dealing with this the other day and i think i got close to where i want to go in the middle finger of the hand. I agree that zbrush sculpts big masses better but i have found myself in a meditative state lately shifting back and forth between higher and lower resolutions while making the focal area (forgot the name of it) of the brush softer (higher in number) or harder (lower in number) to get the effect i want. also, i use a very low intensity on the brush. close to 5.

    changing resolutions and the focal area of the brush gives me a lot of control. it does feels weird to me to be pushing and pulling out of a dense mass but the way i have started to think about it is as though i am painting depth. it is like i am painting my sculpture. i am not sculpting! that is kind of weird.

    Leonardo thought painting was a superior art form to sculpture because it was more about pure mind, less about brawn. Giorgino, thought sculpture was superior because it gave us more veiwpoints. But here we are painting our sculptures into existence. Its a complete and perfect evolution!

    sorry for the long rant. i want to write an article about this new way of doing things so i get kinda worked up.

    thanks for the comments.

    r

  10. #10
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    *Share* means the study your sketches - thoes refrances which you use to study while building this idea or pose -

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